flipper +flipper is a simple sound reverser. Good for creating ambient chordal washes from simple material. +bubbler uses 8 channels of grains which can give you an extremely dense cloud of sound. As pitch shift can be distributed to multiple simultaneous grains, chords can be played with the on screen buttons, or by sending MIDI to the plugin. bubbler +bubbler is a granular delay in which grains are pulled from the delay line with randomized start time, delay time, reversal, panning and pitch shift values. The time and depth controls can radically alter the quality of the pitch shifting, from subtle to comical. Pitch can be adjusted in equal tempered semitones or just ratios with additional cents and octave controls. pitchdelay +pitchdelay, is based on the same codebase as +delay, but the controls are oriented toward pitch shifting, giving you classic rotating head pitch shifting. Both the delay time and the LFO modulator can be synced to multiples and divisions of the host clock. +delay gives you classic delay effects, with a wide ranging filter section to help emulate vintage delays, an LFO time modulator with triangle, sine, ramp, square and random waveforms, as well as freeze mode, dual-head mode and feedback inversion. Includes: +delay, +pitchdelay, +bubbler, +flipper. The saturating feedback also allows them to be great drone and noise generators. Pitch shifting is achieved with a dual head crossfading delay (ala Eltro Tempophon/Dennis Gabor/Pierre Schaeffer phonogene) and is decidedly retro. At any time the current spectrum can be used to create an Array for later use in SAO mode where the Spectraphon oscillates at all times, with the spectrum at the Odd and Even harmonic outputs being drawn from those stored Arrays.X64 X86 VST/AU/VST3 | WiN MAC | 44 MB SoundHack Delay Bundle is a group of four plugins derived from the same basic delay algorithm: a hermite interpolated delay line with variable modulation, and a feedback loop with dc blocking and saturation. In SAM the Spectraphon can be sequenced and frequency modulated like any VCO. In SAM, instead of oscillating at all times like an analog VCO, sound at the Spectraphon’s input is used to modulate the amplitude of a set of harmonics. The Spectraphon has two nearly identical sides, A and B, which oscillate in one of two ways: Spectral Amplitude Modulation (SAM), or Spectral Array Oscillation (SAO). This hardware, engineered by Jeff Snyder and Tony Rolando, provides more I/O at higher resolutions, and a lower noise floor than typically found in digital modules, allowing us to unleash Tom Erbe’s DSP code to a previously unattainable degree. The Spectraphon is the first module to be built by Make Noise on its new digital hardware platform. It is inspired by classic electronic musical instruments of the past, including spectral processors, additive synthesis, vocoders, and resonators especially the Buchla 296 and Touché, but it takes a physical form more resembling the classic analog dual complex oscillator in the lineage of the Buchla 259 and the Make Noise DPO. It uses real-time spectral analysis and resynthesis to create new sounds from those that already exist. The Make Noise/soundhack Spectraphon is a dual Spectral Oscillator coded by Tom Erbe of soundhack. Digital Adapters & Miscellaneous Cables.
0 Comments
Leave a Reply. |